Sunday, March 7, 2010

LSU Theatre in South Korea!!!

Caption: E.J. Cho (l.)and Michael Tick (r.) in Seoul, South Korea.


South Korea is widely recognized as a leader in theatre education in Asia. The LSU Dept. of Theatre has been invited to be the only U.S. institution invited to participate in a major collegiate theatre festival in June 2010--The Young Theatre Festival 젊은 연극제, Seoul, Korea, 2010.


Michael S. Tick, Professor and Chair, Department of Theatre, Artistic Director of Swine Palace and E.J. Cho, associate professor of Sound Design, did an advance planning trip to Seoul and were also speakers/presenters at a major higher education conference.


The LSU Dept. of Theatre will take Antigone to this festival in June 2010.

Distance learning for Louisiana from the CMDA

The College of Music and Dramatic Arts has an exceptional team of researchers, faculty, technical experts and professional staff to bring performing arts distance learning into Louisiana classrooms. The initial thrust of this program will be exposure, enrichment and engagement with interdisciplinary K-12 offerings.

Monday, March 1, 2010

College of Music and Dramatic Arts Development Team


Photo by Timothy Little
CMDA Communications

l. to. r. Carol Newman (Associate Director of Development), J. Steven Covington (Senior Director of Development), and Jacqueline Craddock (Director of Development for Swine Palace).

Tuesday, February 23, 2010

Important post on music and brain development

In this important press release from the annual meeting of the American Association for the Advancement of Science, Nina Kraus, a communications disorder professor at Northwestern University, and Gottfried Schlaug, an associate professor of neurology at Beth Israel Deaconess Medical Center and Harvard Medical School, summarized recent research outlining the profound ability of music to enhance or restore brain pathways and the implications of those findings for health and education.

http://danapress.typepad.com/weblog/2010/02/aaas-brainchanging-power-of-music-prompts-calls-for-more-education-therapy.html

Monday, February 15, 2010

LK performs with Dawn Upshaw and the St. Paul Chamber Orchestra


(l. to r. Steven Copes, violin, Dawn Upshaw, soprano, Chris Brown, bass, Laurence Kaptain, cimbalom)

LK performed cimbalom on György Kurtág’s Scenes from a Novel with the St. Paul Chamber Orchestra in two performances February 12 and 13, 2010 with the world-renown soprano Dawn Upshaw.

Scenes from A Novel, op.19
When Kurtág was around 50 he took an intense interest in the poetry of Rimma Dalos, a Russian living in Budapest who shared his own sense of the fullness of the fragment. The two big works he based on her poems - Messages of the Late Miss R.V. Troussova (1976-80) and Scenes from a Novel (1979-82) - are both song cycles whose individual numbers appear as splinters from some disaster of love and loss. Gestures are all the more intense for the lack of context and consequence. Dalos's words, taken from the page into the voice of a soprano, become those of a dramatic protagonist. Scenes from a novel are made into scenes from an opera.

The singer is accompanied by a tangy ensemble of violin, cimbalom (the Hungarian hammered dulcimer, which has featured often in Kurtág's instrumentation) and double bass. Not all used in every number, these instruments have multiple functions, setting the atmosphere, extending the singer's passionate expressions into wordless domains, seeming to interrogate the singer, or to ignore her. Musical forms and styles, too - rondo, waltz, ostinato - are never innocent but participate in the drama. However complex and various the means, though, Kurtág strikes through them with a naked directness.
Credit: http://www.psappha.com/watch-and-listen/gyoergy-kurtág-(born-1926)---scenes-from-a-novel,-op19.aspx
Paul Griffiths © 2008

www.thespco.org

Dawn Upshaw
Joining a rare natural warmth with a fierce commitment to the transforming communicative power of music, Dawn Upshaw has achieved worldwide celebrity as a singer of opera and concert repertoire ranging from the sacred works of Bach to the freshest sounds of today. Her ability to reach to the heart of music and text has earned her both the devotion of an exceptionally diverse audience, and the awards and distinctions accorded to only the most distinguished of artists. In 2007, she was named a Fellow of the MacArthur Foundation, the first vocal artist to be awarded the “genius” prize, and in 2008 she was named a Fellow of the American Academy of Arts & Sciences.
During the 2009-10 season Upshaw performs Mahler, Berio, and Golijov on tour with David Zinman and the Tonhalle Orchestra. She also appears with Gustavo Dudamel and the L.A. Philharmonic and sings the world premieres of three works written for her—a chamber piece by David Bruce with the Chamber Music Society of Lincoln Center, an orchestral work by Alberto Iglesias with the SPCO, and a song cycle by Osvaldo Golijov for Upshaw and Emanuel Ax. At Carnegie Hall this season Upshaw reprises her celebrated role in John Adams’s El Niño and takes part in a festival celebrating Louis Andriessen.

Saturday, February 13, 2010

CMDA co-sponsors Sweet Honey in the Rock



Photos: Rachel Saltzberg
www.rachelsphotography.net


2010 Dr. Martin Luther King, Jr. Commemorative Celebration LSU's Sesquicentennial MLK Celebration: Progress, Prominence, and Power. Held on Monday, January 25, 2010 MLK Commemorative Performance, Featuring Sweet Honey In The Rock, Grammy nominated, internationally renowned a cappella ensemble
7:00pm, First Baptist Church of Baton Rouge.

Sunday, January 24, 2010

Hollywood comes to LSU Dept.of Theatre!!!

BRC (new media company) of Los Angeles was in residence in the Department of Theatre, January 21, 22, to cast the role of Sarah Morgan for THE SARAH MORGAN PROJECT, a documentary to be filmed in Los Angeles and Baton Rouge. The documentary is funded by Secretary of State Jay Dardenne.

World Class Creative Excellence (BRC) http://www.brcweb.com/

Sarah Morgan Dawson, 1842-1909
A Confederate Girl's Diary
Boston; New York: Houghton Mifflin Company; Cambridge, Mass.: The Riverside Press, 1913.

Summary

Sarah Morgan Dawson was born in New Orleans, Louisiana on February 28, 1842 to Judge Thomas Gibbes Morgan and his second wife, Sarah Hunt Fowler Morgan. She spent her early childhood in New Orleans until Judge Morgan relocated the family to Baton Rouge in 1850. Although Sarah received less than a full year of formal schooling, she followed a serious course of study on her own. In addition to learning French, she read widely in English literature. References to her reading habits as well as allusions to various literary works appear in her diary, which she began during the Civil War.

The war years were extremely difficult for the Morgans, who suffered the loss of four family members between 1861 and 1863. Henry Morgan, Sarah's favorite brother, was killed in a duel in the spring of 1861, and her father, Thomas, died several months later. Three other brothers joined the Confederacy: of these, Gibbes and George were killed in 1863, while the youngest, James, climbed the ranks in the Confederate Navy.

Sarah, her mother, and her sisters moved back and forth between Baton Rouge and the surrounding countryside during the early war years. In August 1862 the Union army sacked their Baton Rouge home, and the threat of further violence forced them to abandon it. The Morgan women sought shelter with friends until lack of food and their mother's ill health forced them to relocate to an occupied New Orleans. After bitterly taking an oath of allegiance to the United States, the Morgans remained until the end of the war with Sarah's oldest brother, Judge Philip Hickey Morgan (referred to as "Brother" in her diary) who was a supporter of the Union. In 1872 the Morgans moved to Columbia, South Carolina, where Sarah began writing editorials for the Charleston News & Courier under the pen name "Mr. Fowler." A staunch supporter of women's equality, she often expressed her feminist views in both her editorials and her diary. In 1874 Sarah married the newspaper's editor, an Englishman and former Confederate officer, Francis Warrington Dawson. The couple had three children together. Francis Dawson died in 1889, prompting Sarah to join their son, Warrington Dawson, in Paris, where she lived until her death in 1909.

Although Sarah Dawson originally requested that her six-volume diary be destroyed upon her death, she later deeded the set to her son, who had the first four volumes published as A Confederate Girl's Diary in 1913. From March 1862 until April 1865, Dawson faithfully recorded her thoughts and experiences of the war. Her early entries, which deal primarily with Baton Rouge society, give way to detailed accounts of her family's daily fears about living in Baton Rouge as the fighting encroaches upon the city. Several times Dawson describes her family chaotically fleeing their home on foot, bringing only what they could carry with them. She also includes accounts of slaves faithfully rescuing their masters' children and household goods without the opportunity to salvage anything of their own. Although a strong supporter of the Confederacy, Dawson does not hesitate to record the kindness among members of the Federal guard, her disapproval of women's secessionist banter, and her despair over the South's future. The Diary 's final pages are filled with tragedy as Dawson recounts the anguish of losing her two brothers, the fall of the Confederacy, and the shooting of Abraham Lincoln.

Friday, January 8, 2010